Anywho, I've been doing my damnedest to contribute to that story, and therefore haven't had much time for free-writing. I did come up with a sweet short story that I'll be posting soon (mostly because it has a very simple plot but I have like 3 ways to start it)... but that's been about it.
So today, I figured I'd write about what I'm reading. I just got done reading the first 72 pages of "Mrs. Dalloway" by Virginia Woolf. And I've already made 2 passages into Facebook status updates (because that's what I do when I come across cool things).
At first, I was sure I was going to supremely dislike this book. The opening is kind of lame, in that Virginia Woolf enjoys dropping the names of characters without mentioning who they are until several pages later. Also, in those several spacer pages, she has rambled on about birds and streets and flowers and such, until you're no longer sure who or what you're reading about, or if you happened to stray into another novel on accident.
One perk of reading this book is that I rented a super old copy from the library so I don't have to read out of my massive Brit Lit anthology. Because I would have a broken hand if I had to read this novel out of a 2500+ page BRICK. But, the copy from the library smells and feels wonderful. If I ever get published, I want all copies to be published automatically aged (like people rip jeans, I would age my books before selling them!!) So much love for the old-book smell.
Like I was saying, I was not a fan of the first 20 or so pages of this book. It kept jumping around between random characters who I didn't know or care about yet, and I kept getting lost (also, my roommates were being hilarious and distracting me with things that were more fun than reading this convoluted mess).
But, as I got further on, particularly when the 3rd person narrator was on Septimus, I fell in love with this book. Once you begin to have a solid understanding of who the characters are and what their motives/relationships are, Woolf's language usage becomes less of an ill-conceived tangle of words and more of a poetic outpouring of emotionality.
I respect Woolf for what she does with her word usage. I'd prefer that she didn't do so in the very beginning of the novel, but once I settled into the rhythm of how her writing voice speaks to me, I was entranced. The next 50 pages flew by as strange images assaulted my reading eyes. She uses the strangest mix of words to convey feelings, kind of like Eliot in "The Love Song of J. Alfred Prufrock" (which also took me a while to properly appreciate). Also, the lack of attention span that Clarisse Dalloway seems to have corresponds nicely with Woolf's lack of attention span (intentional).
Septimus' segments are still the ones that get me. Mrs. Dalloway is too flighty for me, and I still don't understand Peter very well, even though I feel for him. Rezia annoys me thus far -- even though she's a product of her culture, I still like to think that I would feel more sorry for Septimus, and less embarrassed by him. But the way Woolf portrays his shell-shock, and the damage that has been done to his psyche, just floored me. My grandpa (now passed on) had PTSD, which was something that I never realized until my dad told me last year -- now I view it with different eyes, particularly after reading and falling in love with "Dulce Et Decorum Est" several times.
War isn't pretty. But the way Woolf piles and stacks words together like painted wooden blocks really hits home for me what it meant to understand war back in the day.
I really hope I don't end up hating this book -- Woolf is so cool!!! All of her descriptive passages (once they were out of the damn park) made me want to go write somewhat melancholy, semi-depressive things. I've been allowed to do so for ScriptFrenzy thus far (my characters are super melodramatic, but it ends up working out pretty nicely), but I want to write something really gritty. Maybe I'll go redraft that short story I was talking about earlier...
I'll keep you all posted as to my furthering adventures with Virginia Woolf -- but now it's very late and I have veins of emotion yet to tap. Goodnight, moon!
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| C'mon, Virginia Woolf, don't let me down!! |


















